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Cinema


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The Hipp Cinema is always screening movies with our audience in mind. Serving as Gainesville’s only art-house cinema, we bring the latest independent films, hard-hitting documentaries, critically-acclaimed world cinema, throwback classics, and additional signature programming throughout the year. Have your experience at the movies go beyond the purchase of a ticket stub. Find out show times and purchase tickets for upcoming screenings and special events! Now accepting movie pass!


 

 

2018 OSCAR NOMINATED SHORT FILMS

FEBRUARY 10th- MARCH 1st

For the 12th consecutive year, Shorts HD and Magnolia Pictures present the Oscar-Nominated Short Films, opening on Feb. 10th. With all three categories offered – Animated, Live Action and Documentary – this is your annual chance to predict the winners! A perennial hit with audiences around the country (and now the world), don’t miss this year’s selection of shorts. The Academy Awards take place Sunday,  March 4th.

 

List of Nominated Short Films

 

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ANIMATED SHORTS SHOWTIMES:

2/18 (Sunday): 12:00 p.m.
2/21 (Wednesday): 8:30 p.m.
2/22 (Thursday): 6:00 p.m.
2/25 (Sunday): 12 p.m.
2/28 (Wednesday): 8:30 p.m.
3/1 (Thursday): 6:00 p.m

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LIVE ACTION SHORTS SHOWTIMES:


2/21 (Wednesday): 6:00 p.m.
2/22 (Thursday): 8:00 p.m.
2/23 (Friday): 6:00 p.m.
2/24 (Saturday): 5:45 p.m.
2/25 (Sunday): 2 p.m.
2/28 (Wednesday): 6:00 p.m.
3/1 (Thursday): 8:00 p.m.

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DOCUMENTARY SHORTS A SHOWTIMES:

2/24 (Saturday): 2:00 p.m.
2/27 (Tuesday): 6:00 p.m.

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DOCUMENTARY SHORTS B SHOWTIMES:

2/24 (Saturday): 4:00 p.m.
2/27 (Tuesday): 8:00 p.m.

 

 


MIND GAME

OPENING FEBRUARY 16th

From acclaimed director Maasaki Yuasa (DevilMan CryBaby, Ping Pong, Adventure Time) comes MIND GAME. Buckle in and prepare to surrender yourself to an exhilarating and wildly entertaining ride. Cult classic Mind Game is an explosion of unconstrained expression – gloriously colorful mages ricochet in rapid fire associations,like Masaaki Yuasa’s brain splattered onto the screen in all its goopy glory. Audiences will begin to grasp what they are in for early on as loser Nishi, too wimpy to try to save his childhood sweetheart from gangsters, is shot by a soccer-playing psychopath, projecting Nishi into the afterlife. In this limbo, God – shown as a series of rapidly changing characters – tells him to walk toward the light.  But Nishi runs like hell in the other direction and returns to Earth a changed man, driven to live each moment to the fullest.

“It’s totally different from any other animated film I’ve ever seen. The art is very simple, almost Western in style, and the humor and storytelling is exactly as the title implies – crazy ideas are tossed around, then played back and fast-forwarded. I know “trippy” is an overused expression, but MIND GAME is the trippiest film I’ve ever seen.” – Bill Plympton

 

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SHOWTIMES:

2/23 (Friday): 8:30 p.m.


LOVING VINCENT

OPENING MARCH 2nd

Audience Award, 2017 Annecy Animated Film Festival; Best Animated Film, 2017 European Film Academy Awards. Best Animated Film Golden Globe, Nominated for the BAFTA Awards and Academy Awards®!

One of 2017’s biggest independent success stories, LOVING VINCENT has dazzled critics and audiences alike. Billed as the world’s first fully oil-painted feature film, LOVING VINCENT employed more than 125 artists working over a period of six years to hand-paint more than 65,000 frames of film in an animation style modeled on the artwork of Vincent van Gogh. Drawing on van Gogh’s masterworks and personal letters, the film tells the story of the artist’s life and mysterious death in a way never before seen. The motion-captured and voice cast includes Saoirse Ronan, Chris O’Dowd, Helen McCrory, Douglas Booth and Aidan Turner.

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SHOWTIMES:

3/2 (Friday): 6:00 p.m.
3/3 (Saturday): 3:30 p.m. and 8:00 p.m.
3/4 (Sunday) 12:30 and 5:00 p.m.
3/6 (Tuesday): 6:00 p.m.
3/7 (Wednesday): 8:15 p.m..
3/8 (Thursday): 6:00 p.m.
3/10 (Saturday): 5:15 p.m.
3/11 (Sunday): 1:15 p.m.

 


THE BOY DOWNSTAIRS

OPENING MARCH 3rd

Returning to New York after an extended stint in London, artistically unfulfilled writer Diana (Mamet) moves into the perfect apartment while earning her keep by working at a bridal shop. Advising her are her free-spirited widowed landlady Amy, and kooky best friend Gabby. Diana thinks she has made a new start, until realizing her downstairs neighbor is her teddy bear-like old flame, the vulnerable and aggrieved Ben (Matthew Shear), whose heart she broke. Like a true New Yorker, she keeps the apartment, despite the awkward arrangement. As the estranged couple attempts to navigate cordial not-so-cohabitation and their knotty feelings, first-time writer-director Sophie Brooks flashes back to the early bloom of their courtship, the question of what went wrong hanging over every scene. This quirky and easygoing millennial love story features a stellar cast, led by Mamet and Shear, and supported by indie stalwart Deirdre O’Connell, as well as newcomers Sarah Ramos and Diana Irvine.

A fresh take on an oft-told girl-meets-boy story, THE BOY DOWNSTAIRS offers a touching and lightly comic contemplation of modern relationships, life choices and the price of independence and freedom.

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SHOWTIMES:

3/3 (Saturday): 5:45 p.m.
3/4 (Sunday) 2:45 p.m.
3/6 (Tuesday): 8:15 p.m.
3/7 (Wednesday): 6:00 p.m.
3/8 (Thursday): 8:15 p.m.
3/10 (Saturday): 7:30 p.m.


COCKTAILS AND CLASSICS: STANLEY KUBRICK’S PATHS OF GLORY

ONE NIGHT ONLY, MARCH 9th

The Hippodrome Cinema is proud to present Paths of Glory (1957) as part of our Cocktails and Classics series. 

Kirk Douglas gives one of his finest performances as Colonel Dax, a World War I commander of a battle-weary regiment of the French army along the Western Front. When French generals, for the sake of their own selfish pride and personal ambitions, order Dax’s men on a blatant suicide mission to take an impregnable German position, the attack inevitably fails. To deflect blame, the generals order three arbitrarily selected soldiers to be tried on charges of cowardice. Dax, a criminal lawyer in peacetime, passionately and eloquently defends the three scapegoats, but unless he can prove that the generals were at fault, nothing will save his clients from the firing squad. Brilliantly shot in black and white, Paths of Glory is unsparing in its treatment of the absurdity of war and the military machine’s capacity for dehumanization.

 

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SHOWTIMES:

3/9 (Friday): Reception starting at 6:45, Film starting at 7:45