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Dec
21
Thu
A Christmas Carol on the Hippodrome Mainstage
Dec 21 2017 – Jan 17 2018 all-day

The Hippodrome Theatre  proudly presents

“A Christmas Carol” on stage Nov. 25 – Dec. 22

Saturdays Dec. 2, Dec. 9 and Dec 16 at 2 p.m. & 4 p.m.
Reserve your tickets now! 

Final Week:
Monday, Dec. 18 at 10 a.m. | Tuesday, Dec. 19 at 7 p.m. | Wednesday, Dec. 20 at 2 p.m. and 7 p.m. | Thursday, Dec. 21 at 2 p.m. and 7 p.m. | Friday, Dec. 22 at 2 p.m. and 7 p.m.
Tickets at the Hippodrome Box Office: (352) 375-4477 or click here.

The Hippodrome celebrates the 40th Anniversary of Gainesville’s holiday tradition: “A Christmas Carol,” opening Nov. 25!

Treat your family to the gift of theatre for the Hippodrome’s tradition of celebrating Charles Dickens’ classic tale “A Christmas Carol.”

Share in the wonderment and joy of this timeless message of redemption, charity and goodwill. A delightful tale for all ages, come on out to celebrate!

Every show sells out, reserve your tickets today for the best seats!

Best wishes for this holiday season,
and we hope to see you soon!

— Your friends at the Hipp

Dec
22
Fri
A Christmas Carol on the Hippodrome Mainstage
Dec 22 2017 – Jan 18 2018 all-day

The Hippodrome Theatre  proudly presents

“A Christmas Carol” on stage Nov. 25 – Dec. 22

Saturdays Dec. 2, Dec. 9 and Dec 16 at 2 p.m. & 4 p.m.
Reserve your tickets now! 

Final Week:
Monday, Dec. 18 at 10 a.m. | Tuesday, Dec. 19 at 7 p.m. | Wednesday, Dec. 20 at 2 p.m. and 7 p.m. | Thursday, Dec. 21 at 2 p.m. and 7 p.m. | Friday, Dec. 22 at 2 p.m. and 7 p.m.
Tickets at the Hippodrome Box Office: (352) 375-4477 or click here.

The Hippodrome celebrates the 40th Anniversary of Gainesville’s holiday tradition: “A Christmas Carol,” opening Nov. 25!

Treat your family to the gift of theatre for the Hippodrome’s tradition of celebrating Charles Dickens’ classic tale “A Christmas Carol.”

Share in the wonderment and joy of this timeless message of redemption, charity and goodwill. A delightful tale for all ages, come on out to celebrate!

Every show sells out, reserve your tickets today for the best seats!

Best wishes for this holiday season,
and we hope to see you soon!

— Your friends at the Hipp

Jan
17
Wed
The Square
Jan 17 all-day
The Square
The winner of the Cannes Film Festival’s 2017 Palme D’Or!
 
The Stockholm Palace Gallery’s latest exhibition is about to open, and gallery curator Christian is excited to share his lofty new vision with the world. But when his mobile phone gets pickpocketed, Christian’s life is thrown into chaos, as he’s forced to reassess just how progressive he really is.
 
Elisabeth Moss, Dominic West, and PLANET OF THE APES / KONG: SKULL ISLAND motion capture performer Terry Notary join a talented pan-European cast to illustrate THE SQUARE’s sprawling narrative. Constantly twisting and changing, the film rarely lets up, and constantly surprises.

SHOWTIMES (week of 1/19):

1/19 (Friday): 7:45 p.m.
1/20 (Saturday): 5:30 p.m.
1/21 (Sunday): 11:15 p.m.
1/23 (Tuesday): 8:00 p.m.
1/24 (Wednesday: 5:15 p.m.
1/25 (Thursday): 8:00 p.m.

 
 
THE SQUARE continues director Ruben Östlund’s (FORCE MAJEURE) detailed examination of fragile masculinity and dysfunctional human interaction. Skewering modern notions of public relations, relationships, class, entitlement, and art, it’s a smart and savage indictment of the veneer of civility we call society.
Thelma
Jan 17 all-day
Thelma

 

Joachim Trier (Louder Than Bombs, Oslo, August 31st) dives headfirst into nature versus nurture with his captivating fourth feature film, “Thelma”.

SHOWTIMES (week of 1/5):

1/5 (Friday): 8:00 p.m.
1/6 (Saturday): 3:00 p.m. & 7:30 p.m.
1/7 (Sunday): 3:00 p.m.
1/9 (Tuesday): 8:00 p.m.
1/10 (Wednesday: 6:00 p.m.
1/11 (Thursday): 8:00 p.m.

SHOWTIMES (week of 1/12):

1/12 (Friday): 6:00 p.m.
1/13 (Saturday): 5:30 p.m.
1/14 (Sunday): 3:00 p.m.
1/16 (Tuesday): 6:00 p.m.
1/17 (Wednesday: 8:00 p.m.
1/18 (Thursday): 6:00 p.m.

Thelma has recently been accepted to attend university in Oslo and her new higher education is at odds with her parent’s ultra-conservative religious beliefs and upbringing. They even comment to her at a particularly uncomfortable dinner how a little knowledge doesn’t make her better than others. After being struck with a seizure in the school library, for which doctors have no clear explanation, Thelma begins to experience equally baffling, possibly supernatural events. Shortly thereafter, Thelma befriends a fellow student named Anja. Less emotionally bound than Thelma and beautiful in her own right, the women’s connection unlocks a new romance growing inside of Thelma. As their relationship intensifies and Thelma’s romantic feelings burst forth, the situation takes a dark and perplexing turn.

Trier masterfully captures the emotional tumult of a young woman in new surroundings with a fresh take on the world, whose blooming sense of self and burgeoning sexuality are punctuated by seemingly inexplicable phenomena. This atmospheric tale from Trier tingles with electricity, powerful emotions, dark thrills and shocking moments

Jan
18
Thu
The Square
Jan 18 all-day
The Square
The winner of the Cannes Film Festival’s 2017 Palme D’Or!
 
The Stockholm Palace Gallery’s latest exhibition is about to open, and gallery curator Christian is excited to share his lofty new vision with the world. But when his mobile phone gets pickpocketed, Christian’s life is thrown into chaos, as he’s forced to reassess just how progressive he really is.
 
Elisabeth Moss, Dominic West, and PLANET OF THE APES / KONG: SKULL ISLAND motion capture performer Terry Notary join a talented pan-European cast to illustrate THE SQUARE’s sprawling narrative. Constantly twisting and changing, the film rarely lets up, and constantly surprises.

SHOWTIMES (week of 1/19):

1/19 (Friday): 7:45 p.m.
1/20 (Saturday): 5:30 p.m.
1/21 (Sunday): 11:15 p.m.
1/23 (Tuesday): 8:00 p.m.
1/24 (Wednesday: 5:15 p.m.
1/25 (Thursday): 8:00 p.m.

 
 
THE SQUARE continues director Ruben Östlund’s (FORCE MAJEURE) detailed examination of fragile masculinity and dysfunctional human interaction. Skewering modern notions of public relations, relationships, class, entitlement, and art, it’s a smart and savage indictment of the veneer of civility we call society.
Thelma
Jan 18 all-day
Thelma

 

Joachim Trier (Louder Than Bombs, Oslo, August 31st) dives headfirst into nature versus nurture with his captivating fourth feature film, “Thelma”.

SHOWTIMES (week of 1/5):

1/5 (Friday): 8:00 p.m.
1/6 (Saturday): 3:00 p.m. & 7:30 p.m.
1/7 (Sunday): 3:00 p.m.
1/9 (Tuesday): 8:00 p.m.
1/10 (Wednesday: 6:00 p.m.
1/11 (Thursday): 8:00 p.m.

SHOWTIMES (week of 1/12):

1/12 (Friday): 6:00 p.m.
1/13 (Saturday): 5:30 p.m.
1/14 (Sunday): 3:00 p.m.
1/16 (Tuesday): 6:00 p.m.
1/17 (Wednesday: 8:00 p.m.
1/18 (Thursday): 6:00 p.m.

Thelma has recently been accepted to attend university in Oslo and her new higher education is at odds with her parent’s ultra-conservative religious beliefs and upbringing. They even comment to her at a particularly uncomfortable dinner how a little knowledge doesn’t make her better than others. After being struck with a seizure in the school library, for which doctors have no clear explanation, Thelma begins to experience equally baffling, possibly supernatural events. Shortly thereafter, Thelma befriends a fellow student named Anja. Less emotionally bound than Thelma and beautiful in her own right, the women’s connection unlocks a new romance growing inside of Thelma. As their relationship intensifies and Thelma’s romantic feelings burst forth, the situation takes a dark and perplexing turn.

Trier masterfully captures the emotional tumult of a young woman in new surroundings with a fresh take on the world, whose blooming sense of self and burgeoning sexuality are punctuated by seemingly inexplicable phenomena. This atmospheric tale from Trier tingles with electricity, powerful emotions, dark thrills and shocking moments

Jan
19
Fri
The Square
Jan 19 all-day
The Square
The winner of the Cannes Film Festival’s 2017 Palme D’Or!
 
The Stockholm Palace Gallery’s latest exhibition is about to open, and gallery curator Christian is excited to share his lofty new vision with the world. But when his mobile phone gets pickpocketed, Christian’s life is thrown into chaos, as he’s forced to reassess just how progressive he really is.
 
Elisabeth Moss, Dominic West, and PLANET OF THE APES / KONG: SKULL ISLAND motion capture performer Terry Notary join a talented pan-European cast to illustrate THE SQUARE’s sprawling narrative. Constantly twisting and changing, the film rarely lets up, and constantly surprises.

SHOWTIMES (week of 1/19):

1/19 (Friday): 7:45 p.m.
1/20 (Saturday): 5:30 p.m.
1/21 (Sunday): 11:15 p.m.
1/23 (Tuesday): 8:00 p.m.
1/24 (Wednesday: 5:15 p.m.
1/25 (Thursday): 8:00 p.m.

 
 
THE SQUARE continues director Ruben Östlund’s (FORCE MAJEURE) detailed examination of fragile masculinity and dysfunctional human interaction. Skewering modern notions of public relations, relationships, class, entitlement, and art, it’s a smart and savage indictment of the veneer of civility we call society.
Jan
20
Sat
The Square
Jan 20 all-day
The Square
The winner of the Cannes Film Festival’s 2017 Palme D’Or!
 
The Stockholm Palace Gallery’s latest exhibition is about to open, and gallery curator Christian is excited to share his lofty new vision with the world. But when his mobile phone gets pickpocketed, Christian’s life is thrown into chaos, as he’s forced to reassess just how progressive he really is.
 
Elisabeth Moss, Dominic West, and PLANET OF THE APES / KONG: SKULL ISLAND motion capture performer Terry Notary join a talented pan-European cast to illustrate THE SQUARE’s sprawling narrative. Constantly twisting and changing, the film rarely lets up, and constantly surprises.

SHOWTIMES (week of 1/19):

1/19 (Friday): 7:45 p.m.
1/20 (Saturday): 5:30 p.m.
1/21 (Sunday): 11:15 p.m.
1/23 (Tuesday): 8:00 p.m.
1/24 (Wednesday: 5:15 p.m.
1/25 (Thursday): 8:00 p.m.

 
 
THE SQUARE continues director Ruben Östlund’s (FORCE MAJEURE) detailed examination of fragile masculinity and dysfunctional human interaction. Skewering modern notions of public relations, relationships, class, entitlement, and art, it’s a smart and savage indictment of the veneer of civility we call society.
Jan
21
Sun
The Square
Jan 21 all-day
The Square
The winner of the Cannes Film Festival’s 2017 Palme D’Or!
 
The Stockholm Palace Gallery’s latest exhibition is about to open, and gallery curator Christian is excited to share his lofty new vision with the world. But when his mobile phone gets pickpocketed, Christian’s life is thrown into chaos, as he’s forced to reassess just how progressive he really is.
 
Elisabeth Moss, Dominic West, and PLANET OF THE APES / KONG: SKULL ISLAND motion capture performer Terry Notary join a talented pan-European cast to illustrate THE SQUARE’s sprawling narrative. Constantly twisting and changing, the film rarely lets up, and constantly surprises.

SHOWTIMES (week of 1/19):

1/19 (Friday): 7:45 p.m.
1/20 (Saturday): 5:30 p.m.
1/21 (Sunday): 11:15 p.m.
1/23 (Tuesday): 8:00 p.m.
1/24 (Wednesday: 5:15 p.m.
1/25 (Thursday): 8:00 p.m.

 
 
THE SQUARE continues director Ruben Östlund’s (FORCE MAJEURE) detailed examination of fragile masculinity and dysfunctional human interaction. Skewering modern notions of public relations, relationships, class, entitlement, and art, it’s a smart and savage indictment of the veneer of civility we call society.
Jan
23
Tue
The Square
Jan 23 all-day
The Square
The winner of the Cannes Film Festival’s 2017 Palme D’Or!
 
The Stockholm Palace Gallery’s latest exhibition is about to open, and gallery curator Christian is excited to share his lofty new vision with the world. But when his mobile phone gets pickpocketed, Christian’s life is thrown into chaos, as he’s forced to reassess just how progressive he really is.
 
Elisabeth Moss, Dominic West, and PLANET OF THE APES / KONG: SKULL ISLAND motion capture performer Terry Notary join a talented pan-European cast to illustrate THE SQUARE’s sprawling narrative. Constantly twisting and changing, the film rarely lets up, and constantly surprises.

SHOWTIMES (week of 1/19):

1/19 (Friday): 7:45 p.m.
1/20 (Saturday): 5:30 p.m.
1/21 (Sunday): 11:15 p.m.
1/23 (Tuesday): 8:00 p.m.
1/24 (Wednesday: 5:15 p.m.
1/25 (Thursday): 8:00 p.m.

 
 
THE SQUARE continues director Ruben Östlund’s (FORCE MAJEURE) detailed examination of fragile masculinity and dysfunctional human interaction. Skewering modern notions of public relations, relationships, class, entitlement, and art, it’s a smart and savage indictment of the veneer of civility we call society.