The
rise in popularity of courtroom drama is not surprising, given society’s
interest in celebrities and scandal. But long before the O.J. Simpson trial,
President’s Clinton’s impeachment hearing and even Ally McBeal, court
cases--real or fictional--have fulfilled the public’s need for justice
and entertainment. The courtroom is a theatrical arena complete with a
stage, director (judge), actors (witnesses) and critics (jury). Gross Indecency:
The Three Trials of Oscar Wilde brings the theatricality of a courtroom
to life at the Hippodrome State Theatre (formerly a courthouse, itself).
Playwright Moises Kaufman tells the story of the historical (and scandalous)
trials of England's (and Ireland’s) most famous wit.
It
is not hard to believe Oscar Wilde was a popular figure in Victorian society.
The Golden Age of England where he thrived was an era of inventive social
mores, high aesthetics and political prowess. People were judged not only
by the clothes they wore or the books they read but also by the company
they kept. Oscar Wilde had all of these things working in his favor. He
was a “golden boy” of a golden age. Wilde was a prolific writer, accomplished
wit and famed lecturer who was also a father, a husband and a friend to
many geniuses of the artistic world. His mind was a deluge of creative
thought, which released itself through sparkling conversation and throughout
numerous pages of manuscript. Women adored his wit and charm and men often
envied his artistic achievements.
The
popularity of Mr. Wilde, however, like so many other famous figures, was
also the impetus of his ruin. He was at the center of such attention in
England, Ireland and abroad, that when John Sholto Douglas, the Eighth
Marquess of Queensberry, accused Wilde of being a “posing sodomite,” society
could not turn its head. But scandal then, like now, brought such an interest
to the public that they waited like a patient audience for Wilde’s next
move. The result was a libel suit pressed by Wilde which, from the onset,
stirred so much attention that London’s Old Bailey Courtroom was quickly
filled with inquiring minds awaiting a performance. The two leads--a literary
wit and a notorious royal “brute” (the amateur boxing rules, the “Queensberry
Rules,” are named for the Marquess)--entered the courtroom on April 3,
1895, for what would be the drama of the fin de siecle.
This
first trial produced a stunning performance by Oscar Wilde. His witty repartee
made it hard for the jury to suppress its laughter and left the defense
slightly flummoxed. But when Edward Carson, Queensberry’s attorney and
Wilde’s former Oxford classmate pulled out his own clever bag of tricks,
the drama took an unexpected turn and the libel suit was soon dismissed.
In its place came two more trials in which Wilde suddenly donned the costume
of defense. By May 25, after a revealing series of facts from surprise
witnesses, Wilde was charged with committing acts of “gross indecency”
under the Criminal Law Amendment Act of 1885, signed by Queen Victoria
herself. He was sentenced to two years of hard labor in prison, after which
he lived under an assumed name. Oscar Wilde died in 1900 (just two years
after his release) from complications of an ear injury he received while
in prison. He was 46.
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