HOW
I
LEARNED
TO DRIVE
An
Interview with Playwright
Paula
Vogel
(Excerpts
of an Interview by Arthur Holmberg)
AH:
...What is the function of humor in your vision?
PV:
I actually describe Drive as a comedy. Of course it’s not, but the first
half very much functions as comedy... For me combining sadness and comedy
heightens both. We don’t want to be taken by surprise, so we keep our guard
up. Comedy defuses that vigilance so in the next moment we are unprepared
for the explosion....The comedy dismantles any protective covering. Hitchcock
uses comedy and terror the same way. So that’s why I think I do it.
Arthur
Holmberg: Drive dramatizes in a disturbing way how we receive great harm
from the people who love us.
Paula
Vogel: I would reverse that. I would say that we receive great love from
the people that harm us.
AH:
Why is it significant to reverse it?
PV:
We are now living in a culture of victimization, and great harm can be
inflicted by well-intentioned therapists, social workers, and talk-show
hosts who encourage people to dwell in their identity as victim. Without
denying or forgetting the original pain, I wanted to write about the great
gifts that can also be inside that box of abuse. My play dramatizes the
gifts we receive from people who hurt us.
AH:
So what does Li’l Bit receive?
PV:
She received the gift of how to survive.
AH:
In Drive, Li’l Bit looks at her painful memories, processes the experiences,
and then moves on. Why is it important to forgive the harm?
PV:
Many people stay rooted in anger against transgressions that occurred in
childhood, and this rage will be directed to other people in their adult
lives and toward themselves. Whether we call it forgiveness or understanding,
there comes a moment when the past has to be processed, and we have to
find some control. There are two forgivenesses in the play. One forgiveness
for Peck, but the most crucial forgiveness would be Li’l Bit’s forgiving
Li’l Bit. Li’l Bit as an adult looking at and understanding her complicity...
AH:...
her destructiveness. You once said that it was important to give the audience
a catharsis.
PV:
Catharsis purges the pity and the terror and enables the audience to transcend
them...This is a movement forward. For me, purgation means a forward movement.
Interview
by Arthur Holmberg
Literary
Director, American Repertory Theatre
|