“When a woman says she needs new shoes, what she really wants is a new job. When she says she needs a new house, she wants a new husband. And when she says she wants a new car, she wants a new life.”
Meet Becky Foster, a 40-something-year-old woman who may or may not be in need of new shoes, a new house and a new car. Think your love life is bad? At least you’re not secretly dating a widowed man who thinks your (very much alive) husband is also dead. From Feb. 24 to March 19, hop in the passenger’s seat as Becky drives head on into a whirlwind affair that will change the lives of everyone around her. This play is the perfect blend of hilarious and heartfelt. Here are five reasons why you need to see “Becky’s New Car”:
Get out your apron and notepad because after seeing this show you’re going to be serving your friends some serious #quotes. Take this one for example:
“Life is chaos and holidays. Who can say why things turn out the way they do. All I know is that my life has become a handful of people I met by chance and the things we did together.”
Damn. Pull that one out at a dinner party and you’ll be the smartest (sounding) kid on the block.
You know how you always see those interviews on, like, Ellen or Oprah where they interview that guy who did soccer with Ryan Seacrest in the fall of fourth grade. Well, if you come see “Becky,” that could be you! I mean, we all know Chelsi is going to be accepting an Emmy, or an Oscar, or a Tony one day, so you could be the lucky guy or gal to say you saw her before she got Viola Davis famous.
If you want a plot twist as epic as the 2017 Oscars best picture switch up, look no further than “Becky’s New Car.” No spoilers, but I’m talking next level M. Night Shyamalan. Trust me, you’re about to be more shocked than the cast of “La La Land.” Sorry, too soon.
Get out your oversized Gucci sunglasses and finest Hermès scarf (or, you know, the $2 shades they hand out at the Reitz and that weird bandanna you picked up in Turlington) because after you see this show you’ll probably have to hide from all of your adoring fans. OK, maybe not, but you might just get the chance to take part in the performance. With numerous fourth-wall breaks, you could be the lucky audience member to give Becky life advice or get her ready for a date.
You’ve all heard of “dad jokes.” Now get ready for “mom jokes.” When her 26-year-old, lives-at-home son doesn’t do the one thing she asked of him – load the dishwasher – after he spent the night drinking, she quips, “There you have it … my son was loaded and the dishwasher was not.”
Ahhh, classic Mom. (But seriously, the cast rolls out punch lines throughout the entire course of the play, and it’s a real treat.)
So there you go! The perfect dramedy for date night, girls’ night or whatever the occasion, you won’t want to miss “Becky’s New Car” today!
We are thrilled to be a sponsor and active part of Gainesville’s Cuban cultural event, Bulla Cubana.
The Bulla Cubana festival celebrates Cuba and fuses the art and ideas of the country with the North Central Florida region.
Based in Gainesville and happening across the city January through March 2017, the event features artists, muralists, dancers, musicians, chefs, mixologists, photographers and filmmakers “for a three-month city-wide celebration.”
From March 24-26, the Hippodrome will be home to one of the festival’s main cinematic events, the Cuban Film Festival.
On March 13th and 20th the Hippodrome will host a staged reading of My Little Sister by local Cuban playwright Carlos Asse.
Beginning Friday, the Hippodrome Cinema will be showing three feature films: Before Night Falls (2000), Chico y Rita (2010) and Playing Lecuona (2015).
Tickets are $9. For more information on Bulla Cubana and its other events, visit bullacubana.org.
Staged Readings of My Little Sister:
Monday, March 13: 7.00
Monday, March 20: 7.00
Friday, March 24:
6:00 pm – Before Night Falls
8:30 pm – Chico y Rita
Saturday, March 25:
1:00 pm – Playing Lacuona
3:30 pm – Before Night Falls
Sunday, March 26:
7:00 pm – Chico y Rita
(May 12, 2016) – The Hippodrome is delighted to announce the season for 2016/17.
The plays selected for the Hippodrome’s 44th season are funny, bold, inspiring, and full of humor and humanity. The Hipp mainstage features regional premieres, Broadway hits, not-to-be missed new plays by Pulitzer Prize-winning finalists and a dazzling new holiday show!
This season, the Hippodrome has lowered our fixed seat subscription prices to reach the broadest audience possible. Fixed seat subscriptions are now as low as 50% off single tickets prices. For a limited time, we are offering a special deal: purchase a 4 ticket Flex Pass for the 2016/17 season and receive 2 FREE tickets to the summer musical comedy THE TOXIC AVENGER! Click here for details!
“The theatre is the keeper of your heart, creator of memories, laughter, and tears. It is a second home to all who enter. The Hippodrome’s 2016-17 season invites you to take a seat and explore the worlds we travel together. Let us take your imagination into stories that will provoke you, make you think, laugh and most of all place you into the shoes of someone you may not know, and give you a new perspective on the world. Come with us, this trip is all for you,” said Artistic Director, Lauren Warhol Caldwell.
The Hippodrome’s season will feature actors from the Hippodrome Acting Company, accompanied by talent from across the country, in accordance with its mission to nurture a strong company of actors, directors, designers, technicians and administrators.
Now in its 44th year of artistic excellence, the Hippodrome is a non-profit, professional, regional theatre offering eight mainstage theatre productions annually. Tickets and subscriptions are available through the Box Office at (352) 375-4477 and online at thehipp.org.
Hippodrome Theatre 2016/17 Season
by Sarah Ruhl
September 2-25; previews August 31 & September 1
The Hipp continues our wonderful partnership with the UF School of Theatre + Dance on another outstanding production: Sarah Ruhl’s STAGE KISS. Previous Hipp/UF collaborations (Avenue Q, Clybourne Park, and Peter and The Starcatcher) have been audience favorites, and we can’t wait to share this New York Times CRITICS PICK with you.
STAGE KISS is “Suffused with warmth and humor. Sarah Ruhl frothily whips together romantic comedy and backstage farce in this lively comedy.” – Charles Isherwood, The New York Times. The New York Post says, “FOUR STARS. Sarah Ruhl delivers a brilliant comedy that aims for big laughs and hits its target. Funny. There’s nothing like it.” “Hilarious…Thoroughly winning…The smooching is SENSATIONAL in Stage Kiss! – The Washington Post
WHATEVER HAPPENED TO BABY JANE: A Stage Horror Parody
By Dale Gutzman
October 14-November 6; previews October 12 & 13
In 1962, Bette Davis and Joan Crawford starred in a masterpiece that quickly became a cult classic. Live on stage, Whatever Happened to Baby Jane brings you the story of a former child star who torments her sister in their decaying Hollywood mansion. Just in time for the Halloween season, get ready for a gloriously campy black comedy… with a twist! “Only when you see Baby Jane, will you really know, and the answer is: Total Suspense.”
THE ULTIMATE CHRISTMAS SHOW (ABRIDGED)
by Reed Martin & Austin Tichenor
November 25-December 18
Welcome to the Annual Holiday Variety Show and Christmas Pageant at St. Everybody’s Non-Denominational Universalist Church, where all faiths are welcome because we’ll believe anything. But there’s a problem: none of the acts scheduled to perform have arrived, so three members are pressed into service to perform the entire Variety Show and Christmas Pageant by themselves. An irreverent yet heartwarming trip through the holidays, THE ULTIMATE CHRISTMAS SHOW (ABRIDGED) is festive, funny, family fun as these Three Wise Guys send up and celebrate our favorite holiday traditions.
“Critic’s Choice! They tell me vaudeville died some time ago, but … the knockabout, anything-for-a-laugh spirit of the ancient genre is alive and well. Agile and quick witted … there’s no denying their ingenuity when it comes to grabbing comedy out of thin air.” – Boston Globe
“Brought down the house with gales of laughter.” – Theatre Mirror
A CHRISTMAS CAROL
Adapted by Janet Allard and Michael Bigelow Dixon
November 26-December 22
Don’t miss the wonderment and joy of our most recent rendition of the classic A Christmas Carol, featuring Scrooge, Marley, and of course, Tiny Tim. Share the timeless messages of redemption, charity and goodwill with your children for the first time – or the 39th. A Gainesville Family Tradition! (Not a part of the season subscription package.)
HAND TO GOD
by Robert Askins
January 13-February 5; previews Jan 11 & 12
Nominated for 5 Tony Awards! “Flat-out hilarious. A true tour-de-force.” – The New York Times. Deep in the heart of Broadway, there lurks a creature so outrageous, so scandalous, so totally surprising that you have to see him for yourself! Meet Tyrone, the scene-stealing sprite who shakes a small Texas town to its core – riotously riffing on everything from love to faith, and proving that it is both sinfulness and saintliness that make us all truly human… and utterly alive. “Nothing is more exciting than a new play that takes you by surprise.” -The Wall Street Journal “The freshest and funniest Broadway comedy in years.” – Time Out New York “The best play of the season.” – The Huffington Post
“Ribald and wickedly funny. Sesame Street meets The Exorcist.” – The New Yorker
BECKY’S NEW CAR
by Steven Dietz
February 24-March 19; previews Feb 22 & 23
Have you ever been tempted to flee your own life? Fasten your seat belts for this laugh-out-loud comedy about escaping the middle age doldrums. Enjoy the hilarity and U-turn plot twists as Becky leads us down the road less traveled. This devious and delightful romp is the perfect blend between hilarious comedy and thoughtful drama. If you loved Women in Jeopardy, you’ll fall head over heels for Becky’s New Car.
“A smart, comic cruise through middle-aged longing and regret!” -Variety
by William Shakespeare
April 14-May 7; previews April 12 & 13
This bold, new take on the Shakespearian thriller comes as a culmination of our 2-year collaboration with the international theatre company, The Workcenter of Jerzy Growtowski, on “The Hidden Sayings,” the National Endowment of the Arts grant-award-winning exploration of movement and storytelling. Join us as we rediscover the royal court of Denmark as it confronts its ghosts and plots its vengeance, in a reimagining of this timeless masterpiece.
Opens June 2; previews May 31 & June 1
Shake, rattle and roll! Summer is meant for music and fun. Past summer shows including Avenue Q, The Great American Trailer Park Musical, and Honky Tonk Angels have delighted and entertained thousands. Stay tuned for our summer musical announcement in Spring 2017.
Special event through the National Endowment of the Arts
HIDDEN SAYINGS: The Workcenter of Jerzy Grotowski and Thomas Richards
October 24-November 6
In an historic collaboration to continue to expand their programming and push the boundaries of regional theater, the Hipp and world renowned international theater company, the Workcenter of Jerzy Grotowski and Thomas Richards partner together to explore the core of an active and living culture. With the community, they will create evolving performances, lectures, and various encounters with a wide variety of communities across Gainesville.
About the Hippodrome Theatre
As a cornerstone of Gainesville’s robust cultural life, the Hippodrome has a legacy of providing the very best in artistic excellence through programming on the mainstage, cinema, special events, and its award-winning education program. The Hippodrome serves hundreds of thousands of audience members each year, and is proud to provide educational and entertainment opportunities to thousands of young people annually. The commitment of the community to the Hippodrome’s artists, designers, educators, administrators, and interns shows through the longstanding relationship that the Hippodrome holds with the people of Gainesville and beyond.
Contact: Sarah Darden Director of Marketing (352) 373-5968 x247 | firstname.lastname@example.org
Go Behind the Scenes with Hipp Artistic Director, Lauren Warhol
Tuesday, April 12, 2016
I am so excited to announce that we are welcoming the amazingly talented, Joe and Juliana Ditmyer to the Hippodrome Acting Company! This husband and wife duo are a true power couple and fill the Hipp with their energy and smiles every day during The Elephant Man. This is Joe’s first production on the Hipp stage and Juliana’s third Hipp production.
Being apart of the Hipp Acting Company means that they have a home at the Hipp. In the casting process, the artistic team begins with this core group of actors who have contributed to the artistic excellence of our storytelling. Please join us in welcoming Joe and Juliana!
Monday, April 11, 2016
On April 11, 1890, John Merrick known as the “elephant man” drew his last breath. What he left behind to all of us is immeasurable. A head so full of dreams and such sincere wonder in where these dreams go? We ask ourselves that same question today. He allowed us to know how it must feel to be “the other” with unbearable testament to the price paid for being different. He taught us forgiveness, wit in the midst of deformity, love and understanding and a tremendous belief in God while doubting God at the same time. Beyond the heavy head and cauliflower limbs, he was a man of dignity. Since beginning the research on Mr. Merrick for the sake of directing, I have not been able to stop reading or thinking of him. His giant soul and wonder of the world and his deepest depth of kindness has penetrated my mind and heart forever. Wherever he may be, I pray that is it is not in a London fog, but a place full of April flowers. Bryan Mercer who plays our “elephant man” has discovered all and more about this giant of a man. We see before us a transformation that brings Merrick back to us for a few hours a night to remember. It is a tour de force performance by Bryan….. but Bryan was not as concerned about the audience as he was in doing this man justice. Our dear Mr. Merrick looks down each night on Mr. Mercer with that sweet smile he managed to share. Thank you Bryan for letting us view the dignity of this man. Both of you shall not be forgotten in my lifetime.
Sunday, April 10, 2016
I do not have enough adventure in my life. I want to be in countries where English is not the first language. I want to fly in the air and see theatre that will inspire me to be better. I want to study more with companies who have a different process. I want my dogs to visit children in cancer wards. I want to leave the comfort of home and return with fuel for the future. I want to be dangerous and full of risk. I want to be a better family member. I am dying of thirst.
“A ship is always safe at the shore – but that is NOT what it is built for.”
― Albert Einstein
Saturday, April 9, 2016
There they are. Amazing artists and the kindest peeps ever. Honored to even be in their presence. Our partners.
For the first time in the Hippodrome’s history, I am pleased to announce our first international collaboration with the Open Program of the Workcenter of Jerzy Grotowski and Thomas Richards. Over the past 30 years, the Workcenter has continued the research of the legendary theater director, Jerzy Grotowski. We are excited to collaborate with associate artistic director, Mario Biagini, members of the Open Program, and Hippodrome company member Michael Littig who is an associate artist, on a new project called the Open Choir. We received a grant from the NEA for a residency the fall. This residency will deepen our relationships in the city and will be a way to create meaningful encounters between individuals and groups across the city. Stay tuned!!!
Saturday, April 9, 2016
My kiss of ritual. Two for one!!!!!!! Mark Chambers and Joe Ditmyer. Notice the bookmark reactions. Juliana Davis Ditmyer is loving it and Niall McGinty is bored to tears. Cracks me up. Xoxox. Quite enjoyable.
Friday, April 8, 2016
Opening Night of THE ELEPHANT MAN. Thirty-five years later. A landmark evening for the Hipp.
Damn those beautiful butterflies for hanging out in my stomach.
Thursday, March 31, 2016
Today was press run through day. The Gainesville Sun sends a reporter to our run through, which is always the Thursday before opening week. Sometimes our press runs are the first time the actors have done a full run through of the show and we aren’t ready, but the show must go on! The press run through has no fancy lights or costumes, just actors doing what they do best. It’s usually a powerful day full of anxiety and techies running around.
Today, we had quite the audience. Several reporters were there, staff filled the seats and our spring oberservership class was scattered throughout.
The Gainesville Sun reporter, Tyler, has been to several run throughs and knows the drill, and knows how I work. I don’t remember the questions she asked me now, but I remember I asked her, ” Was he [John Merrick] ever really released from standing on the pedestal and asked to turn around?”
Wednesday, March 30, 2016
Photo shoot day !!!!!! Help me.
Tuesday, March 29, 2016
On Saturday, we had a run thru of THE ELEPHANT MAN. It was our first run after blocking, crafting and composing the show. And much talk and working many moments. All the designers and crew come together to watch to make sure we are all on the same page and determine a common goal for our continued journey. But we had a special guest. One of our most dedicated sponsors… Dr. Jennifer Bevis. She is a chiropractor and she and Colista Swartz own their own practice…BEVIS CHIROPRACTIC. The role of the elephant man requires much from Bryan Mercer… Demands of the role, demands I ask of him and the demands he asks of himself. Jennifer was there on a Saturday to view his performance to make sure that the choices he was making were healthy, able to maintain 8 shows per week, etc. Jennifer and Colista are beyond dedicated to the Hippodrome and they are genuinely concerned with the health of the artist. Need I say more in how honored we are at the Hippodrome to have such caring people who love us so. We love them too. Thank you, our dear friends and partners, who cherish the arts and go beyond the call of duty in giving back by taking care of our actors and others. –Bevis Chiropractic
About Lauren Warhol Caldwell
Lauren is the Artistic Director of the Hippodrome Theatre. She began her career at the theatre as an actress. She most recently appeared as Cassandra in Vanya and Sonia and Masha and Spike. She has also appeared on the Hippodrome stage in such productions as Other Desert Cities, Les Liaisons Dangereuses, Steel Magnolias, Sugar Bean Sisters, Marvin’s Room, Always Patsy Cline, Absent Friends and eight years in A Tuna Christmas. She was the first woman in the country to be granted permission to appear in a professional production of A Tuna Christmas. Lauren’s mainstage directing credits (too numerous to list in their entirety) include The Tempest, A Midsummer Night’s Dream, Master Class, The Diary of Anne Frank, The Glass Menagerie, Alice in Wonderland, Eurydice, and Good People. In 2004, she adapted and directed the world premiere of H.G. Wells’ War of the Worlds on the Hippodrome Mainstage. Lauren has studied extensively with world-renowned director Anne Bogart, completing Viewpoints training, composition and also a six-week observership at Actors Theatre of Louisville. Before her position as Artistic Director, Lauren was Director of Education at the Hippodrome. During her tenure in this position, she worked with the HITT program, the Summer Spectacular program, and wrote and directed four original plays for the Theatre for Young Audiences program. These plays toured Alachua County as well as the State of Florida, serving thousands of public school students. Prior to her arrival in Gainesville, Lauren traveled extensively for Success Motivation Institute (an international communications company), lived a season in Graz, Austria with the American Institute of Musical Studies, and toured with Liza Minnelli. At the University of Florida’s School of Theatre and Dance, she has taught adjunct, conducted master classes and served as adjudicator for the school’s mainstage plays. Lauren is the founder and owner of Legal Acts, a company that provides training for courtroom attorneys. She has been affiliated with the University of Florida College of Law for over twenty years. Lauren has been recognized as Artist of the Year in The Gainesville Sun and was a keynote speaker for the Florida Humanities Council. Lauren was nominated for a Spirit of Gainesville Award by Gainesville Magazine and named one of Gainesville’s Twenty Most Interesting People by INsite Magazine. . Lauren is currently in collabaration with international company The Workcenter of Jerzy Grotowski, a year long project provided by a NEA grant. She is a native Texan. Lauren holds a BFA in directing from Baylor University and an MFA in Acting from the University of Florida.
A new women’s philanthropy group, known as the Hippodrome Grande Dames celebrated the 35th anniversary of the Hippodrome mainstage in a big way on April 20, 2016!
The Inaugural Hippodrome Grande Dames at the Evening of Grande Dames Soiree on Wednesday, April 20, 2016
Paige Beck Jorgia McAfee
Elizabeth Bedell Linda McGurn
Kim Bosshardt Chris Morris
Mary Ellen Burnett Sara Morsey
Ani Collier Esther Negrin
Polly Doughty Nell Page
Sandra Fackler Emily Pritchett
Cherie Fine Judy Russell
Caren Gorenberg Ilene Silverman
Jan Jones Midge Smith
Linda Kallman Betsy Styron
Lucinda Lavelli Marilyn Tubb
Jacki Levine Justine Vaughen
Judy Locascio Marilyn Wall
Virginia Maurer Fulbia Westfall
In honor of the occasion, the Hippodrome Board of Trustees invited a group of women who love the arts to become Inaugural Hippodrome Grande Dames.
This new group is set up to align with research from the Women’s Philanthropy Institute on how women prefer to give. It meets the Six C’s of Women’s Giving, which are create, change, connect, commit, collaborate and celebrate.
Hippodrome Managing Director Jessica Hurov said, “The Hippodrome Theatre is an essential part of the Gainesville community and it represents all that the community aspires to be: a place of inspiration and imagination, a thriving city with the heart of a small town. This group of women embodies our community.”
Become a Hippodrome Grande Dame, and enjoy the following benefits:
This collaborative effort can make a tremendous difference in the Gainesville community. The Hippodrome Theatre has an annual economic impact of $4.6 million and the Hippodrome relies on generous gifts and donations throughout the year to thrive. Every dollar of each member’s $1,000 goes directly to fund the Hippodrome’s ongoing programming and operations.
“We are excited to promote the joy and value of giving to other women through the creation of art,” says Lauren Warhol Caldwell, Hippodrome Theatre Artistic Director. “We believe our story to inspire women to make a difference in our community and the art is too huge not to share.”
For more information, to purchase or to gift a membership, contact Jessica Hurov, Managing Director.