JASON
MARR*
Jason’s
last appearance at the Hippodrome was as Lovborg in last year’s Hedda
Gabler. In November, Jason played Carpetta in Scenes
from an Execution at Columbia University (NYC) in an experimental
production directed by Yelena Gluzman. Other credits include
Hal in Henry IV, Part I, Claudio in Much Ado About Nothing, Orsino
in Twelfth Night, David in The Foreigner, and the title roles in
the Suzuki workshop productions of Macbeth and King Lear (Porthouse
Theatre); Bo in Bus Stop, Sidney in Deathtrap, and Mortimer in
The Fantastics (Brown County Playhouse); Bottom in Midsummer, Leontes
in A Winter’s Tale, Henry Higgins in My Fair Lady and Lyndon in the
world premiere of The Peer Panel by Dennis Reardon (Indiana
University, where he was a member of the MFA Acting Program).
JOY
SCHIEBEL*
This
is a dream project for Joy to be working once again with Lauren Caldwell
and Jason Marr. She feels an affinity for the Hippodrome, having
performed this season in Hysteria. Other Hippodrome credits
include Hedda Gabler, Frankenstein, The Glass Menagerie, Three Tall
Women and Dracula. Regionally elsewhere, she has played Shakespeare’s
Viola, Juliet, Hero, Lady Percy, (Suzuki) Lady Macbeth, Diana, and
Perdita. She has also played in comedies as diverse as Biloxi
Blues, Noises Off and the School for Scandal. She is a member
of the New Ensemble in New York City and in their original play this
past spring, Hostage. Other favorite roles include Emily in Our Town,
Nina in the Seagull and Ouisa in Six Degrees of Seperation.
Joy has an MFA in Fine Art from the Alabama Shakespeare Festival,
where she was a company member for two years, playing Shakespeare and the
classics in repertory. When not working regionally, she resides in New
York City.
ADAM
COHEN* (Stage Manager)
Adam
is in his fourth season at the Hippodrome, having stage managed over 20
productions during that time period. In a career that has taken him across
the high seas, into huge arenas, in front of the camera, up in the control
booth, and onto the stage, the experiences he has accumulated only serve
to make him more aware of the value of the “jewel” the citizens of Gainesville
have in their midst. The caliber of the artists that the Hippodrome
attracts is surpassed nowhere, and he thanks the management for the chance
to be counted in that group. His greatest thanks must go, however,
to his family, who have supported his choices from the beginning and continue
to be a source of joy and inspiration.
LAUREN
CALDWELL (Director)
Lauren
is the Artistic Director at the Hippodrome State Theatre in Gainesville,
Florida. She has directed over 40 shows on the Hippodrome mainstage, including
last season’s Master Class, Hedda Gabler and Frankenstein. Other Directing
credits include: A Streetcar Named Desire, The Rocky Horror Show, To Kill
A Mockingbird, The Glass Menagerie, Dracula, Beehive (twice), How I Learned
to Drive, Lost in Yonkers, Like Totally Weird, All in the Timing, and The
Lion in Winter. She has frequently appeared as an actress on the Hippodrome
stage since 1988 in such roles as Sylvia in Sylvia, Madame de Volanges
in Les Liaisons Dangereuses, Marge in Absent Friends, Faye in The Sugar
Bean Sisters, Truvy in Steel Magnolias, Louise in Always...Patsy Cline
(twice), and recently, for the third time, multiple wacky characters in
A Tuna Christmas. Lauren has written plays for the Theatre For Young Audiences
program which include To Be or Not To Be...That is Two Questions, Just-So
Stories (adaptation), and most recently Radio Active. She conceptualized
a comprehensive curriculum guide for Hippodrome productions, Perspectives,
which is distributed to Alachua County High Schools, Santa Fe Community
College and the University of Florida. A native of Texas, Lauren holds
a BFA in directing from Baylor University and a MFA in acting from the
University of Florida. She is a member of Actors’ Equity Association, the
Drama League, and the Stage Directors and Choreographers Foundation. She
owns and operates Legal Acts, a consulting company for attorneys, and is
actively involved in the Prosecution/Public Defenders’ Program as well
as the MBA program at the University of Florida.
MIHAI
CIUPE (Set Designer)
Originally
from Romania, Mihai worked as a designer with some of the greatest Romanian
directors: Gabor Tompa, Alexandru Dabija, Iulian Visa, Mihai Maniutiu,
Victor Ion Frunza. In 1991 he received a scholarship to attend the
London International Festival of Theater. In 1995 he was accepted
into the membership of the Association of Romanian Fine Artists in the
Scene Design section. Mihai recently received a double Master of
Fine Arts degree in costume and set design from Carnegie Mellon University.
At Carnegie Mellon he was awarded the George Kimberly Scene Design Award
and the Oren Parker Award in Design and Production. Before coming
to the United States he was the resident designer at The National Theatre
of Cluj-Napoca, Romania. Early in his European career he traveled
extensively in Europe on tour with shows he designed. These tours
exposed him to the various schools of theater from England, Scotland, Hungary,
France, and Yugoslavia. He joined the Department of Theatre and Dance
at the University of Florida in the Fall of 1999 as a Professor of
Set Design.
MARILYN
WALL-ASSE (Costume Designer)
Marilyn
is a Hippodrome co-founder, Artistic Associate and the Costume Designer-in-Residence.
She has designed and built costumes for more than 150 Hippodrome productions.
She is a four time recipient of the Outstanding Young Women in America
Award and received the Margaret Sanger Certificate of Appreciation in 1987.
She has twice received a Governor’s Award as one of Florida’s Outstanding
Artists and was the only theatrical artist to be granted that award this
year. Her Hippodrome acting credits include The Madwoman of Chaillot,
Cabrona, Bedroom Farce, Robber Bridegroom, Crimes of the Heart and
Season’s Greetings. Directing credits include Macbeth, Same Time
Next Year and Tangled Tales which she also co-authored. In the film
world, Marilyn has designed costumes and makeup for A Flash of Green, Shimmer,
Ruby in Paradise, Gathering Evidence, Miami Hustle and Ulee's Gold with
Peter Fonda and Patricia Richardson. She has served as makeup artist
to the famous faces of Phil Donahue, Al Gore and Bill Clinton at their
local appearances. Marilyn recently won two Emmy Awards for
her costume designs for the children’s television show, Salsa.
Robert
P. Robins (Lighting Designer)
Bob
has been Lighting Designer-in-Residence at the Hippodrome for the past
15 years. During this time, he has designed the lighting
for more than 175 productions. He has also stage managed numerous
productions including Hippodrome Mainstage, state and Theatre for Young
Audiences tours. In addition to designing and stage managing, Bob
also engineers the soundtracks and sound reinforcement for all Hippodrome
productions. He is an Actors’ Equity Association stage manager and a member
of IATSE Local 115. Bob has designed more than 300 productions
regionally in the United States, including theater, dance, and industrials.
For the past eight years, he has taught at the Tennessee Governor’s
School for the Arts. He spends what time he has away from the theater
with his very supportive wife, Jodi, and their two children, Kayla and
Evan.
J.
JEFFERY GUICE (Technical Director/Production Coordinator)
Jeff
has recently returned to the world of live theatre from an extensive tour
of duty in the themeing industry. He has produced ultra realistic animal
habitats for zoos and aquariums such as The Brookfield Zoo in Chicago
and detailed exhibits for museums, the latest being The 82nd Airborne Museum
in Fayettville, N.C. From 1985 to 1999 Jeff has Art directed, sculpted
and painted on many themepark attractions such as Disney MGM, EPCOT, E.T.’s
Adventure and Jurassic Park rides at Universal Studios Hollywood and Florida
plus projects in Italy, Las Vegas and the Bahamas. Having started in theatre
with a B.F.A. in Theatrical Design and Technology from Auburn University
and experence from Alabama Shakespeare Festival, Daytona Musical Theatre
and Orlando Civic Theatre, Jeff is excited to once again participate in
live productions.
Lorelei
Esser (Properties Design)
Lorelei
has been designing properties for the Hippodrome since the 1994 production
of Earthly Possessions. She has long been recognized in our community
for her accomplishments and contributions as an independent artist.
Her medium, the collection and assemblage of “the stuff of life” can now
be experienced in the sets of the Hippodrome’s productions. Lorelei’s
understanding of time periods, cultures, the writer’s intentions, the director’s
vision along with her tenacity for detail bring artistry to the craft of
properties design.
Graham
Johnson (Sound Design)
This
is Graham’s first mainstage sound design here at the Hippodrome State Theatre.
He has worked here for the past 2 years in several different capacities
including Summer Spectacular acting coach and he directed Dandelion, a
Hippodrome Teen Playwright Festival production. Other sound design
credits include Dandelion and Radio Active. Graham is enrolled in
the University of Florida’s Department of Theatre and Dance where he had
the opportunity to design sound for Angels in America. Graham would
like to thank the Hippodrome and Lauren Caldwell for this opportunity.
TAMERIN
DYGERT (Dramaturg)
Holds
a B.A. in Theatre and English Education from the University of Maryland,
Baltimore County. As Dramaturg and Literary Manager, Ms. Dygert compiles
research materials for the artistic team; contributes to production concepts;
serves as features writer/editor of the curriculum guide, Perspectives;
and writes articles for Ovation newsletters. She also assists in
Mainstage season selection; negotiates Mainstage production rights; and
directs the New Play Reading Series which she founded in 1998. A
native of Maryland, Ms. Dygert has worked at Baltimore’s Center Stage;
toured with Shakespeare on Wheels; served as a freelance dramaturg with
Baltimore’s Performance Workshop, Inc.; and taught English and Drama at
Bais Yaakov School for Girls. She has taught Hippodrome theatre arts
classes and directed Florida Teen Playwright Festival productions and appeared
on the Mainstage in The Sisters Rosensweig, A Christmas Carol and Just
So Stories. Ms. Dygert is a member of Literary Managers and Dramaturgs
of the Americas (LMDA), a professional association serving literary managers,
dramaturgs and theatre professionals throughout North and South America
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